Variety Pack #2

The last month has been very busy indeed.  I'm running behind I'm afraid...
 

Arran, and some time spent walking with my mother.  This is the Gorge at Eas Mor, full to bursting with spring potential, latent and waiting for the thaw.  In between walks we made fresh burn trout and wild garlic stew, and stoked a wood fire.  Complicated by some work that wouldn't go away and the high winds and rotten snow that put paid to my plans for a 3 day trip over the tops to Lochranza and back.  The convention here is to tell you about what happened after I reached Goatfell and got turned around on the Saddle, but the time has past for that.  The moral of the story is to always have a clear head in the hills, and always carry winter hardware in the winter.  Far better to go back to the cottage and hang out with the family anyway.  Time far better spent.  This trip can wait.


Then, bless my cosmopolitan self, Italy!  Abruzzo, a 2 hour drive from Rome, a tiny hill fort town at 1400m, and a press trip of all things.  Uncomfortable flight, my first time in a plane in four years, a head cold, good food, strong coffee, warm Mediterranean breeze and hospitable people.  And most of all, light with a different texture - A dry light.  What a luxury.  So good to be away.


Oh yeah, there was some gear to look at too, but not in this shot.  This was where we camped.  I'm not even making it up.  It really did look like this.



And there was a mountain to climb, with a quiet Himalayan legend from Gran Sasso.  Grazie mille, Giampiero di Federico.  My kahtoolas balled up quite badly, so I've bought some proper spikes for next year.  I was slowing everyone down, this guy fairly ran down from 2,500ms.


Taken shortly after dawn, this is a garrison fire fort used to warn against Muslim invaders from the Adriatic.  Built on limestone, with water stores under each tower, it survived a huge earthquake in 1461, but the Saracens never came.  I've just been in London where I found myself amongst lots of real photographers (the ones who went to art school, I feel stupid around, and who make great work) and shots like this would give them a headache, I'm sure.  But it is there, and do I lie if I point the camera at something else instead - without context, without the relationships, isn't anything convention and cliche?  This isn't a criticism, it's a question.





Maybe I should photograph some Lamas, in paradise?  Kintail, at 8.30am, after driving from the airport and losing my phone on the M8.  These places do exist, as real as the mother and child, found in an abandoned farmstead on Skye...

One of the striking things about going straight from Italy to Skye, for me at least, was the similarity in the ecological story.  In Abruzzo, centuries of overgrazing have desertified the limestone mountains and robbed them of all tree cover.  This led to the acidification of the soil, which in turn led to an almost total loss of grazing and agriculture that sustained small mountain communities.  People moved to Rome, or starved, the habitat was changed forever.


On Skye, we went to the Camas Malag, a place where the Clan Macdonald sold out to the man and cleared the land of all inhabitants, preferring to farm sheep.  Rotten walls and a solitary derelict building stood where villages once were.  People moved to Canada, or starved.  Skye was beautifully forlorn in a way that Italy wasn't, but only because I don't speak the language.  Talk to the locals in both places (as we did - in Italy it just took longer) and you hear the same concerns about upland economy, community, sustainability.  The same story in both places - what we do to the soil, we do to ourselves.  Still, I'm the one in the damned aeroplane, right.





The weather tried to wipe the slate clean across Loch Eishort, and we turned our backs on the past.  There's little point arguing with either.  We walked back towards the Marble Quarry at Torrin, the brooding east face of Bla Bheinn, and a more than fancy pad on Sleat, before the ferry in the morning.  On the way home we stopped at the sands of Morar, where each and every grain seemed to reflect the world back into the sky.

In Italy, Giampiero had told us a story about the meadowland basin at the foot of the mountain we climbed.  With the change of political fortunes under Mussolini, the 'the shepherd's meeting place' had been transformed into 'the emperor's camp'.  Made possible by the linguistic similarity of these words in Italian, and deemed necessary because the place was historically important for the hill community that worked there.  Land, language, power, constantly circling each other.

Back in London, I heard the travel writer Nick Hunt tell a story about a boy he met on the road, on his 2,500mile walk across Europe in 2012.  The kid knew the names for all the different types of tree in his home valley, but had never stepped a foot outside it.  The writer knew the names of all the places he had visited in Europe, but didn't know the word for tree in the country he was walking in, let alone the names of each species.  How do I want my knowledge - broad and shallow, or deep and narrow?


There's more from some of these trips in upcoming editions of The Great Outdoors, and Outdoor Enthusiast Magazines.  But it's not all 'work'.  Next time out, it's Rum.  In the meantime, here's the previous variety pack, #1